One of the best ways for an artist to keep in the zone between art engagements is to draw porn. It keeps the hand fluid by creating curves and the eye alive by constantly evaluating shadows and light sources.
Plus, its fun!
Thanks to Deborah Ferraz for this valuable addition to my blog
Way back in 1993, I was in Chicago, art directing the KMFDM animation 'Drug Against War' at C-Pop studios. In one room, the techies slogged (doing the animation tweening and compositing) and, in another, much sweatier room, I worked night and day with the cel animation team or 'inkies', as we called ourselves. To keep spirits and morale up, the team and I engaged in Art Wars: denigratory and derogatory cartoons aimed at humiliating the other animators. Pretty soon, we had a huge wall covered with these gems and I am proud to present, courtesy of ace draughtsman, Peter Moriarty (who also worked with me on 'Sonofagun' and the ZPC: No Flesh Shall Be Spared game for Zombie Interactive), one of the best.In between our punishing 36-hour shifts, the team shared a love of pool which we indulged in in bars such as McNeill's and Hoilday in the city's Wicker Park area. Here is one of the crowing cartoons I posted one day after a typical trouncing on the green baize.
I'm often asked how much preparatory work goes into each album cover I do and this series of rough conceptual work goes some way in illustrating how the final design comes about. 3 months before the final artwork was completed, I started outlining the various ideas I had for the sleeve and a slew of pictures emerged from the process which Sascha and I discussed before I began to build the final image. Now, I am able to present these images for sale. Anyone interested, please leave your contact details in the comments box below or contact me via our Gmail account bruteprop@gmail.com and I'll provide prices and size details. All the above are rendered in black indian ink and signed.
Another assortment of original ink sketches, roughs and composites for various art projects completed in 2008. As usual, to purchase any of these illustrations, please either leave your request in the 'comments' box below or contact me atbruteprop@gmail.com
I recommend these neat little fibre tip pens as am alternative to the brush pens I normally use.Pigmented India Ink in multiple nib sizes and 48 colors brings great versatility to pen-and-ink drawings requiring lots of intricate details. Pitt Artist Pens are great for sketching, journaling, cartooning, and drawing. Get them here: http://www.dickblick.com/products/faber-castell-pitt-artist-pens/
Chris Lefler, whose last BRUTE! sleeve tattoo, 'The Street', is nearing completion, has now commissioned one for his other arm. The design, which will curl around his arm like a serpent, will comprise of dozens of interlocking characters clambering upon each other. Final inking to commence in a week or so so stay tuned for regular updates.
A few sketchy ideas for our 2008 film club business cards. I'd often wanted to toy with the elements of what goes into a good business card and then I decided, fuck it, I'll use a magazine-style template instead.
Aidan Hughes was born on Merseyside, England, and was formally trained by his father. His influences include: Golden Age comic artists Jack Kirby, Steve Ditko and Jim Steranko; Russian Constructivism; the Italian Dynamo Futurista and the work of woodcut artists Frans Masereel and Lynd Ward.
Hughes began publishing his own comics before embarking on a commercial career, producing illustration and storyboards for clients such as Warner Bros., the BBC and The London Evening Standard. In the 80's he began a long-term collaboration with industrial band KMFDM, created BRUTE! pulp magazine and worked extensively in radio, TV and the media.
Hughes' other work includes: graphic design, short film making, computer games and animation.
Official Wikipedia entry: http://en.wikipedia.org/wiki/Aidan_Hughes